Portraits of America

[Full-length portrait of an African American man standing among some props, facing front]

1880·Source: loc·View original ↗·Public Domain
[Full-length portrait of an African American man standing among some props, facing front], 1880 (Library of Congress)
[Full-length portrait of an African American man standing among some props, facing front], 1880 (Library of Congress)
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1 photographic print on carte de visite mount : albumen ; 10 x 6 cm.


A formal studio portrait of an unidentified man, produced as a carte de visite. The record gives no name for the sitter, a pattern typical of archival practice in this period, which regularly identified white subjects while leaving Black subjects anonymous.

Studio portraits held particular significance in African American communities during these years. Sitting for a photograph was a deliberate statement of dignity and self-presentation, made at a time when most published images of Black Americans took the form of caricature. Black-owned studios operated in many cities, serving clients whom white establishments often refused or treated dismissively.

The carte de visite format, a small albumen print mounted on card stock, was the standard for portrait photography in this era, widely exchanged and collected.

Compiled from the catalogue record and reference notes on the formats and events involved. The archive record above is the primary source.


Cartes de Visite

Credit: Library of Congress
Reuse: Public domain. Free to download, print, edit and republish, commercially or otherwise. How rights work in this archive.